JUNE 2025
Back on directing duty at UoN. So why set a 400-year-old play in the garden of an 80s karaoke bar? Much Ado is one of my favourite Shakespeare comedies and one that I keep coming back to. What draws me to the music of the 80s is the apparent superficial nature of it and how that chimes with the themes of the play. There are elements of this play which at first seem, problematic by today’s standards and it has been my pleasure to dig deep with this excellent cast to find the depth and truth behind these parts of the story and how we let our versions of the characters share their truth.
Having been a part of the R&D in 2024, it was loads of fun providing many of the voices for this headphone show from the wonderful Middle Child
Photo: Tom Arran
From November 2024 - January 2025 we commissioned an additional 18 writers with funding from Arts Council England. A crack team of actors was brought in to perform each of the new works for a room full of supportive audience. We used online feedback forms to ensure we captured as much feedback as possible and I offered individual feedback sessions for each of the writers.
Photo: Rebecca Cockcroft
DECEMBER 2024
OCTOBER 2024
Photo: Rebecca Cockcroft
OCTOBER 2024
NATIONAL THEATRE, JULY 2024
JULY 2024
JUNE 2024
Photo: Lucy Booton
APRIL 2024
How well do we know those who love us the most? Bride-to-be Jodie is enjoying a rollercoaster of engagement parties and hen dos as her big day approaches. But when skeletons begin to tumble out of the closet, she must finally question what it means to love your family, no matter what. Was delighted. to play the role of Phil in this amazing production from the fantastic Middle Child in my native Hull.
Photo: Tom Arran
NOVEMBER 2023
NOVEMBER 2023
SEPTEMBER 2023
I am delighted to be directing the Actors Company for this funny, high-energy, swashbuckling adaptation of Alexandre Dumas’ classic novel by John Nicholson and Le Navet Bete. (Photos: Graeme Braidwood Costume Design: Victoria Youngson)
The 1990s was the last age of innocence. A time before smart phones and social media, a time when you had to have been there to experience it, you couldn’t see the video, the post, the tweet, the meme. The political landscape was changing, the music landscape was shifting and Manchester was a massive part of that. This is in many ways a love letter to that time. The time when I first picked up a guitar, when I first stood on stage and sang songs and stood on other stages and performed the words of Shakespeare. Because, if you are going to write a love letter, whose better words to use than The Bard himself. I hope you agree that the story of separated siblings, a magnificent tale of misunderstanding and mistaken identity, a fable filled with fabulous characters, translates to a field somewhere in the North West, sometime in the mid 90s. (MORE IMAGES TO COME SOON)
Twas the night before Christmas when all through the house Not a creature was stirring, not even a mouse…
Having enchanted children at Christmas time for more than 200 years this popular festive poem bursts into life in a magical production for under 7s and their grown-ups. Watch in amazement as Father Christmas and his reindeer fly through the starlit sky on their busy Christmas Eve journey ensuring that every last present is delivered on time! (Photo credit - Robert Day).
Cast of 20 wonderful 3rd year students at UoN. In the round, no set, but loads of fun.